![]() It's a subtly dramatic design that will appeal to the eyes of musicians and admirers alike.īeneath the surface, the build quality is nothing short of impressive. The black finish is a classic yet striking choice, beautifully complemented by the Tree of Life inlays that run the length of the fretboard. It's rare to come across an instrument that exudes such a harmonious blend of visual allure, user-friendly design and unusual acoustic qualities, but the Ibanez Signature Tim Henson TOD10N does just that.įirst impressions count, and the TOD10N makes a stunning one. Playing God has never been made more accessible. Very easy to transition to from playing electric guitar, and an absolute treat to play once accustomed to. Dot markers can still be found on the frets themselves among the vines, and are also featured on the edge of the fretboard for clarity.Īll in all, a beautiful looking and sounding guitar. The standout feature, besides the lack of front-facing sound chamber (found to the left of the onboard tuner instead), is the Tree of Death intricately winding up along the neck. A thick pearloid trim around the body and up along the edge of the neck gives the overall look some depth, and the ornate gold-plated machine heads are a nice touch. Simple matt black topped finish wherein the wood grain is allowed to bleed through just enough to give it an interesting texture. Running the TOD10N through a chain or directly into a DAW or amp produces immediate results without much need for tinkering beyond basic matters of taste.Īesthetically, the TOD10N is gorgeous. The Fishman pickup is crisp and fairly versatile considering the single position and basic controls. The phase of the signal can also be inverted from here if required. ![]() It also features simple controls for monitoring the output, namely an overall volume control pot and basic Treble & Bass pots to shape the tone accordingly. The tuner feels a step above the standard onboard tuners found on electro-acoustics accurate and reliable. Despite playing primarily electric guitar, I found that the TOD10N was easy to adjust to after spending about an hour or two noodling around. The tuning holds without much issues in my climate, and the neck - slightly slimmer than most other classical guitars - is comfortable and ergonomic. Easily capable of more intimate and softer textures as it is snappy and resonant styles of playing. Out of the box, it is a fantastic sounding guitar.
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